Thursday, February 28, 2008

The Jokers Last Laugh's Last


by Andrew Arnett


Heath Ledger is resting on a cold slab just seven blocks from where I am sitting, awaiting autopsy at the Manhattan coroners office. I walked by there earlier today, unaware of who was inside, just out and about on my evening stroll. There is always a bit of a chill I get when walking by that place, though yesterday it felt more so, and it did put me into a gloomy mood, though I wasn’t sure why at the time. I didn’t know his body had been transferred there until I had put on the evening news. Perhaps it was just a coincidence, but thinking about it now, it seems that when a true star passes away, like James Dean, the Titanic, or the Beatles, it leaves a very definite void in its wake, a black hole if you will, which tends to pull everything around it in and upon itself.

This was a strange case. The pieces just didn’t add up. Why would a talent like Ledger, already huge with his Oscar win, now on the verge of breaking through into immortality with his seminal performance as the Joker in the upcoming Batman movie, do something so stupid and clichĂ© ridden as off himself on what appears to be drugs, prescription or otherwise. And then there is the involvement with those Olsen twins, or one of them at least, I’m not sure which one, most probably the evil twin. And what about the unaccredited masseuse? Now, the reports say that the masseuse called Olsen on the phone before she dialed 911 when she discovered the lifeless body, only to be told by Olsen to not call the cops until her private security guards arrived on the scene first. The first thing that disturbs me is that a girl like Olsen actually has a small army of guards to dispatch at a moments notice, on either coast.

Now there’s a real head scratcher. I couldn’t make heads or tales about it. In a situation like this, there was only one recourse for action, and that was to turn to the net, see what the web had to say about it. Sure, I would have to wade through a lot of red herrings and paranoid fantasies, but at least it would get the ball rolling, see what’s percolating on the world brain. Maybe there were some details missed. Lets face it, the corporate media machine is less than perfect as to the details. Sure thing, they’ve got their hands full with the Britney Lohan issue, they’ve got their top people working on that case, and between that and the campaign, they’re stretched thin.

I Googled Heath Ledger death mystery and came up with 257,012 responses. Something in the top ten listings caught my eye. It was absurd, but it caught my eye because it was just that. The title read Tom Cruise Killed Heath Ledger. This was good for the chuckle at least, and lets face it, we all need a little levity. The basic thesis of the article was that Tom Cruise and his handlers needed some kind of distraction for the media to take their attention off the new biography on Cruise, which is an unflattering account of his bazaar behaviors and beliefs, etc. In addition, the article pointed out, Cruise’s wife, the indelible Mrs. Katie Holmes, was turned down for the lead femme fatale role in the upcoming summer blockbuster The Dark Knight, which stars Ledger as the Joker. Well, it is true that nobody has heard a word about the Cruise book since the Ledger tragedy.

This was turning into a can of worms. The more I looked inside it, the darker and squirmier things got. I was getting dizzy with the facts, the implications, the seemingly unconnected connections. I needed a breather, a chance to clear my head, get some objectivity on the case. I needed spiritual guidance. I had no choice, so I contacted my spiritual guru Sylvia Brown for advice. I just hoped she wasn’t too busy taping another appearance on the Montell Williams Show.

Sylvia and I go back a long ways and she helped me break a number of big stories, as well as helping me get in touch with my inner child. But that is another story. Luckily, I caught Sylvia at home as she was coming out of one of her trances.

“Sylvia,” I asked her “tell me what you know about this Heath Ledger case. Is foul play involved, or just bad judgment?”

“It’s true,” she said “Tom Cruise did kill Heath Ledger.

“But how could that be? There are eye witness accounts that place Tom with members of the Sea Org at a retreat in the Hollywood Hills at the time of Ledgers passing. You must be mistaken on this one Sylvia.”

“Not at all Andrew, you see there was a great battle which took place on the astral plane. These two have been going at it since Ledger put out The Order. That movie was more than just a fictional story, but rather a metaphor for what was going on in Ledgers life. Studying at the Temple of the Golden Dawn with the Crowley people, Ledger actually became the sin eater, as he depicted in the movie. That is equivalent to a Grand Wizard, or a 33rd degree Mason. With that under his belt, and then all the plum roles coming his way, he naturally aroused much envy in Hollywood. You know how bitchy that town can get.”

“And how.”

“Sure thing. Anyway, as I was saying, a great battle ensued on the astral plane. I know this because I’ve been in deep meditation and I remote viewed the entire thing. You see, Tom is what they call an Operating Thetan, which makes him a real big cheese in his circle, and as such he is in command of an army of Thetan underlings. He commanded them all to attack Ledger psychically but was thwarted when Ledger invoked the spirit of Aliester Crowley to repel their attacks. Now Tom, being Tom, wasn’t going to take this lying down so he in turn invoked the spirit of L. Ron Hubbard himself. Now these two disembodied spirits are going at it and let me tell you this was a terrible sight to behold. Storms and tidal waves and earthquakes and you name it.”

“Holy smokes, what happened then?”

“Well, the rest is history. Crowley was smited by Hubbard, and in turn Ledger’s soul sunk to the lowest levels of the emotional scale and is now dead at the age of 28. Real tragedy.”

All I could think of was Mission Impossible 4, and had to agree with her. About the tragedy part, that is.

“That’s quite a story you’re telling me Sylvia. Are you sure about the accuracy of your vision?”

“Hell yes Andrew, have I ever steered you wrong before?”

Well, about that, she was right. That lady has never steered me wrong. But this whole business of sin eating and thetans was just something I couldn’t quite wrap my head around. Besides, all this talk was getting me famished. I needed something to eat so my girlfriend and I decided to head down to Chinatown. While there we picked up some scallops and fresh octopus. On the walk home we passed by Ledgers house on Broome Street in Soho. There was still media in front- cameras, reporters, and the fans and mourners who left flowers and pictures of Heath on the sidewalk beside his place. I snapped a few photographs while a passerby told my girlfriend about the time he almost overdosed on cough syrup.





the end

Taylor Mead is the Pope of Devilstown


by Andrew Arnett


Taylor mead is the pope of devils town, not just a mere priest of the wretched and toothless fruit bats. Taylor Mead is the pope of devils town, the spirit guide to all the blood sucking vermin that infest the underground, the self proclaimed arteests.
At 6pm I entered the lair of the bat, it was dark as a cave. The sign in the front read Bowery Poetry Club, but looking at my surroundings, I was hard pressed to spot any poets. There was an unkempt hobo on stage, uttering sounds into the microphone, and one person in the audience who was the soundman. The hobo on stage was not Taylor Mead. Mead was scheduled to go on at 630. mercifully, the hobo was stepping down as I took a seat, though as he passed by he tried to sell me some CD’s, presumably of his rants and such. I had to wave him off as I often did the swarms of beggars that now occupy the streets of devils town.

At 630 mead is assisted onto the stage by his assistant. Mead is 83, but with the aid of his cane, he still moves like a three legged cat. There is a chair and a table on the stage. He sits on the chair. On the table there is a boom box and a glass of whiskey. He takes a drink of the whiskey. He fumbles with the boom box. He’s having some technical difficulties with the thing. He can’t seem to turn it on. “technologically, I am zero.” He confesses to the crowd. “I have no idea what this is all about.” Mead twists the knobs, and switches the switches but no sound comes out. “ah shit”, he says, “ well anyway, I need ah, um, rehabilitation.” Then, he remembers the cassette tape is in his shirt pocket. He pulls that out., puts it on. It is Charlie Mingus. He recites his first poem, a fairy tale by Charlie Mingus.

Meads been around. He’s seen it all. He was the first superstar. He is the first superstar. Andy Warhol coined the word superstar, and he coined it in reference to Mead. Mead has been in over 100 films, and many of Andy Warhol’s films, including Lonesome Cowboys, Tarzan and Jane Regained . . .Sort Of, Couch, and Taylor Mead’s Ass. Hoberman of the Village Voice calls Mead “the first underground movie star.” Some of his most recent films include Jim Jarmusch’s Coffee and Cigarettes, Josh Bishops Man Under Wire, and a documentary called Excavating Taylor Mead.

Mead is no longer a septuagenarian but he still spews down obscenities and pornographic verse from his pulpit. “I turned 83 a week ago,” he tells the sparse audience who have gathered here for his weekly Friday sermon, “ I am Taylor Mead, at 83 I’d better be nice for the next twelve months if anyone is going to come to my funeral . . . well, I couldn’t care less.”
There is the sense that perhaps we are witnessing the mans swan song. Maybe this is part of the excitement of the Taylor Mead experience, like he could drop dead in front of our eyes right there on stage. Perhaps, but probably not. Perhaps he will outlast us all. In legendary status, he most definitely will.
“Never too skinny, never too rich,” say’s Mead “that was Peggy Guggenheim, an heiress, and I was with her daughter Pegine Guggenheim in Paris the night she did an overdose. Peggy Guggenheim was accusing Pegine Guggenheims husband of giving her the overdose deliberately but that’s not true they were both on drugs. I used to go out with them and Pegine, on her drug induced paranoia would start accusing the next table of listening to our conversation or looking at her. This was the sixties and she was the original Britney Lohan and one of my favorite places in Soho is Ciprianis, it is so elegant it doesn’t even have a name out front big orange curtain between Grand and Spring right around the corner from that greedy Donald stupid Donald Trump’s invisible destruction of Soho and otherwise I kind of like Donald Trump I like millionaires who admit they’re millionaires and who are outgoing. Most millionaires are closet millionaires they’re worst than closet queens they’re closet billionaires.”
Mead rambles on in this fashion for the length of his thirty minute show, interspersing poems and off key singing while taking sips of whiskey. “Oh my Vicodins” he admits to the audience, “ my Vicodins are kicking in. oh I don’t give a shit what happens now. Ahhh! Thank God for narcotics. I couldn’t get through this fucking thing, I should have had narcotics when I was nine, Ritalin, whatever’s good.”
The show closes with “chance”, a chance reading pulled from the stack of a thousand odd manuscripts, roach bitten and dilapidated, which accompany him on the stage. This time, it is a poem entitled

I’m going to open a cafĂ©
On Bowery and Houston
and call it the bouquet
of iron
and have iron tulip bouquets
on every table
and iron customers
and shot put sandwiches
and lattice work salads
and traders instead of
tomatoes
and God as a cook
serving ballast to
General Feesgould
At President Kennedy’s table
Everyone will drink
Chromium
Welcome to mercury chromium
decade
and the polar bears
club.

The show ends with a burst of applause then he is helped off the stage by his assistant towards the bar where a beer automatically materializes. I approach Mead and ask him if he would be kind enough to answer a few questions for Devilstown blog. “Sure”.

What about politics?
"I had an epiphany about Hillary I really think she should be president even though I have a lot of reservations about her. But I would love to see Obama and Hillary, it would be such a radical change."

What about the current state of poetry?
"I think it’s great, but I think the whole state of art for New York is too much. I advise young people, theater, poetry or anything to stay in your own community, establish something there, don’t go to New York against overwhelming numbers. There use to be 500 artists in New York now there are 50,000. It’s an art glut. Well, except there is a magic energy here. "

Something about your stage presentation reminds me of Bukowski.
"Yeah I’m a great admirer of him. In fact I’m in his book Notes of a Dirty Old Man. I went to visit him in California and he said Taylor Mead came to visit me and apparently he’s into blowing movie stars, and he said if that’s his seen that’s o.k. I don’t remember visiting him or anything but it must have been around ’61 probably. "

What about Jim Jarmush, how’d you end up in that situation?
"Well I’ve been in over 100 movies and he’s probably the only honest director I’ve ever worked with, every director has screwed me financially. In the sixties we were all crazy we could only do one take and Jim Jarmush did one or two retakes but he was so easy to work with, plus we didn’t sign any contracts but we all got ten thousand bucks in the mail. And he sends us residuals. Bill Riceman, the guy I do the scene with in coffee and cigarettes, he had seventy-five cents in the bank when he got the check from him. "

Anything coming up?
"Well the thing they’re pushing now is The Excavation of Taylor Mead. It’s these California people but they won’t let me near the thing, I want to put a few more minutes in it, because I edited a lot of Andy’s movies in the sixties and they really let me fool around with the stuff. "

Who plays you?
"Oh it’s about me, a documentary. They follow me all around Manhattan, feeding my cats at two in the morning."

All right.


The End